Wet Edge

Three ribbon lattices, each grown from its own salt — brine, oxide, moss — so they share a grid but never quite agree on size, palette, or how their nodes are marked. They're painted, not drawn: every ribbon is a stack of pressure strokes with bleeding edges, soft blooms, and pigment specks settling into the paper tooth.

The camera always opens on a seeded near-edge view, so you're looking almost along the plane of the weave. Drag to orbit, wheel to zoom, toggle Drift to let it turn, and press R to morph the whole field — dimensions, palettes and all — into a fresh set of three. Every load paints a new one.